Donnerstag, 27. November 2014

Come Up And See Me (Make Me Smile)


Cockney Rebel was a successful British Glam rock band in the early 1970s around the charismatic singer Steve Harley. He was very egocentrically but one of the first who put a clarinet into his pop songs. I was liked him and his songs. Especially he teched me trying to understand his dialect (another one was Steve Marriot with The Small Faces). Anyway a song who reached number one in the British top ten who is still worth to listen to.

Steve Harley and Cockney Rebel - Come Up and See Me (Make Me Smile)

Mittwoch, 26. November 2014

Bologna


Another look over the border to Austria gives us a new band called Wanda. Stamped by the best from the last 3o years of Austropop Wanda tries to try a little bit completely new in German-speaking pop music. Their songs are a crude combination of Indie guitars and some strings. In this song ("Bologna") Marco Michael sings to themselves his sexual desire for a Half-Italian cousin about the soul. Not too bad for a band from the continent and worth to give a listen.


Dienstag, 25. November 2014

Twanging Tuesday # 46


Jimmy Patton was born in 1931 on a farm in Oklahoma, moved with his family in 1943, however, to Springfield, Oregon. In this time Patton began to be interested in music and took every opportunity was, to sing and to play. He had first a job as a rodeo rider, had to give up this, however, in 1953, after he had broken the arm. Although he was, actually, a Country singer, he joined in this time to the trend Elvis Presley and the Rockabilly. He wasn't very successful and turned away from Rockabilly to play his country tunes again. His legacy is a song which could be a standard if he had the airplay. This song has all the ingredients of these times: a Rockabilly guitar, a piano that could be played by Jerry Lee Lewis and vocals that are similar to Little Richard.

Jimmy Patton - Yah, I'm Moving

Montag, 24. November 2014

New York


Lou Reed's output in the late 80s was fantastic. He made with Blue Mask a guitar-based record with a few great songs on it. And in 1989 he released his last masterpiece with New York. It's a bundle of great songs with lyrics you should listen to (if you didn't at least). It's his homage to the town he used to life and he loved - knowing the bad side of it. I remember when I drove home later at the evening from a business meeting and Alan Bangs (the very small version of John Peel in Germany) introduced this record. While driving I fell in love with this record and the day after I bought this record - and it was a very good decision. It's a record filled with recollections of his home town. Never heard a homage to his home town like tis before and after. The songs on this record are so full of power and political statements - and they are still actual. This record and the songs on it accompanied me for 25 years. And what can I say more to a record?

Lou Reed - Endless Cycle
Lou Reed - Hold On

Sonntag, 23. November 2014

Window


In my circle of friends there are only a few which are interested in new electronic music. Most of them compare this kind of genre with simple techno the way H.P. Baxxter aka Scooter does. But if you into into it is worth to have a look over the border to Austria. During the last years a scene has set up there and create new impulses over and over again. One of those I listen often is a band from Vienna called HVOB (Her Voice Over Boys). Musically the duet moves between House, electronic music and pop music and HVOB hold her songs rather minimalist and unfold a melancholy atmosphere.


Samstag, 22. November 2014

It's Obvious


Finally, I have the complete Internet access in my flat again. It has lasted long and has cost me many nerves and time. As usual, a small cause has generated big effect. It was simply due to the fact that the first engineer has laid the connection with the wrong port. I would not like to complain too much of this what was happened the last week separate look forwards. Now that I am technically able to continue blogging you will get more comments to the posts you do.

In the 'old' days Saturday was reserved for many weeks to a series about old TV-series. I will continue but today I would like to feature a band from the days of post-punk. Birmingham gave us the Au Pairs, a band that often was compared to Gang Of Four and the Young Marble Giants. Of course, they played that kind of funk GOF did and they had female lead vocals like YMG. The Au Pairs had only a small output on records in the time they existed but most of them was superb. I bought their first album Playing with Different Sex in the early 80s and it had a heavy rotation on my turntable. I liked their sound with a leading bass, stoic drums and thrifty guitar licks combined with lyrics that played with a blinky look at gender relations.

Have a good weekend, mates.

Au Pairs - It's Obvious

Freitag, 21. November 2014

The Foreign Correspondent Returns - Stories About German Rock Music # 41


In the course of the unspeakable New German Wave (NDW) a band became very successful, although they were not typically for this music direction stamped by kitsch. Nevertheless, Extrabreit was no typical NDW band, but made German rock music with also critical texts. They saw itself as a punk group which had to owe it only of the NDW that they were so successful. On her website in addition they said: „Yes, we have just taken part in the shit!“

For me they never were a part of the hype, but a classical punk / rock group which has sung on in her mother tongue. About all years away have remained Extrabreit to her style loyal and have played strongly from guitars stamped songs. Unfortunately, they could never again go back to the success of her first both long-playing records, however, they succeeded over and over again in publishing above-average records for German relations.

Extrabreit - Kokain
Extrabreit - Der Präsident ist tot
Extrabreit - Polizisten
Extrabreit - Junge, wir können so heiss sein